In "The Name of the Rose," Umberto Eco describes monks' attempts in medieval monasteries to obtain and preserve knowledge in writing and signs. Knowledge was limited and those who hoarded it had power. The murder mystery develops around the possession of this precious commodity shattering the religious brotherhood. Knowledge became more available over time, and valuable old books and signs were lost. Eco takes the reader on a wonderful tour of a violent and mystical era, leaving arcane signposts for guidance. It is enjoyable and necessary to decipher all of the signs in order to experience the times and the character interaction. An erotic scene occurs in the story leading to a long-lasting priestly memory. It is a memory of regret for the priest, but not due to the sexual event. It is the regret of not knowing the name of the momentary beloved. And, though the rose grows, blooms, and ultimately withers to dust, it is the name of the rose that remains forever. (read less)