has caused serious concern at Doubleday and Anchor Books. Recent interpretations of our previous statement notwithstanding, it is not the policy or stance of this company that it doesn't matter whether a book sold as nonfiction is true. A nonfiction book should adhere to the facts as the author knows them.
It is, however, Doubleday and Anchor's policy to stand with our authors when accusations are initially leveled against their work, and we continue to believe this is right and proper. A publisher's relationship with an author is based to an extent on trust. Mr. Frey's repeated representations of the book's accuracy, throughout publication and promotion, assured us that everything in it was true to his recollections. When the Smoking Gun report appeared, our first response, given that we were still learning the facts of the matter, was to support our author. Since then, we have questioned him about the allegations and have sadly come to the realization that a number of facts have been altered and incidents embellished.
We bear a responsibility for what we publish, and apologize to the reading public for any unintentional confusion surrounding the publication of A Million Little Pieces. We are immediately taking the following actions:
The jacket for all future editions will carry the line "With new notes from the publisher and from the author."
*Customers should find the Author's Note and Publisher's Note in copies purchased from Amazon.com after April 15, 2006.
Note: The following editorial reviews were written before the recent revelations by James Frey and the publisher. Amazon.com The electrifying opening of James Frey's debut memoir,
A Million Little Pieces, smash-cuts to the then 23-year-old author on a Chicago-bound plane "covered with a colorful mixture of spit, snot, urine, vomit and blood." Wanted by authorities in three states, without ID or any money, his face mangled and missing four front teeth, Frey is on a steep descent from a dark marathon of drug abuse. His stunned family checks him into a famed Minnesota drug treatment center where a doctor promises "he will be dead within a few days" if he starts to use again, and where Frey spends two agonizing months of detox confronting "The Fury" head on:
I want a drink. I want fifty drinks. I want a bottle of the purest, strongest, most destructive, most poisonous alcohol on Earth. I want fifty bottles of it. I want crack, dirty and yellow and filled with formaldehyde. I want a pile of powder meth, five hundred hits of acid, a garbage bag filled with mushrooms, a tube of glue bigger than a truck, a pool of gas large enough to drown in. I want something anything whatever however as much as I can.
One of the more harrowing sections is when Frey submits to major dental surgery without the benefit of anesthesia or painkillers (he fights the mind-blowing waves of "bayonet" pain by digging his fingers into two old tennis balls until his nails crack). His fellow patients include a damaged crack addict with whom Frey wades into an ill-fated relationship, a federal judge, a former championship boxer, and a mobster (who, upon his release, throws a hilarious surf-and-turf bacchanal, complete with pay-per-view boxing). In the book's epilogue, when Frey ticks off a terse update on everyone, you can almost hear the Jim Carroll Band's brutal survivor's lament "People Who Died" kicking in on the soundtrack of the inevitable film adaptation.
The rage-fueled memoir is kept in check by Frey's cool, minimalist style. Like his steady mantra, "I am an Alcoholic and I am a drug Addict and I am a Criminal," Frey's use of repetition takes on a crisp, lyrical quality which lends itself to the surreal experience. The book could have benefited from being a bit leaner. Nearly 400 pages is a long time to spend under Frey's influence, and the stylistic acrobatics (no quotation marks, random capitalization, left-aligned text, wild paragraph breaks) may seem too self-conscious for some readers, but beyond the literary fireworks lurks a fierce debut. --Brad Thomas Parsons
Book Description
Intense, unpredictable, and instantly engaging, A Million Little Pieces is a story of drug and alcohol abuse and rehabilitation as it has never been told before. Recounted in visceral, kinetic prose, and crafted with a forthrightness that rejects piety, cynicism, and self-pity, it brings us face-to-face with a provocative new understanding of the nature of addiction and the meaning of recovery.
By the time he entered a drug and alcohol treatment facility, James Frey had taken his addictions to near-deadly extremes. He had so thoroughly ravaged his body that the facilityís doctors were shocked he was still alive. The ensuing torments of detoxification and withdrawal, and the never-ending urge to use chemicals, are captured with a vitality and directness that recalls the seminal eye-opening power of William Burroughsís Junky.
But A Million Little Pieces refuses to fit any mold of drug literature. Inside the clinic, James is surrounded by patients as troubled as he is -- including a judge, a mobster, a one-time world-champion boxer, and a fragile former prostitute to whom he is not allowed to speak ó but their friendship and advice strikes James as stronger and truer than the clinicís droning dogma of How to Recover. James refuses to consider himself a victim of anything but his own bad decisions, and insists on accepting sole accountability for the person he has been and the person he may become--which runs directly counter to his counselors' recipes for recovery.
James has to fight to find his own way to confront the consequences of the life he has lived so far, and to determine what future, if any, he holds. It is this fight, told with the charismatic energy and power of One Flew over the Cuckoo's Nest, that is at the heart of A Million Little Pieces: the fight between one young manís will and the ever-tempting chemical trip to oblivion, the fight to survive on his own terms, for reasons close to his own heart.
A Million Little Pieces is an uncommonly genuine account of a life destroyed and a life reconstructed. It is also the introduction of a bold and talented literary voice.
From the eBook edition.
Download Description
At the age of twenty-three, James Frey woke up on a plane to find his four front teeth had been knocked out. His nose was broken and there was a hole through his cheek. He had no idea where the plane was headed or what had happened over the preceding two weeks. He had been an alcoholic for ten years and a crack addict for three. When he checked into a treatment facility shortly thereafter, he was told he could either stop using or die before he reached twenty-four.
A Million Little Pieces is Frey's acclaimed account of his six weeks in rehab; fiercely honest and deeply affecting, it is one of the most graphic and immediate books ever to be written about addiction and recovery.
"James Frey has written the War and Peace of addiction. It lends new meaning to the word 'harrowing' and one sometimes shudders to read it. But deep down, beneath all the layers and the masks, there lives something unconquerable in Frey's hurt spirit... And the writing, the writing, the writing."
PAT CONROY
"A Million Little Pieces is as intense and perfectly detailed an account of a human quitting his drug and alcohol dependency as you are likely to read. And James Frey is horribly honest and funny in a young-guard Eggers and Wallace sort of way, but perhaps more contained and measured. He is unerring in his descent into a world where the characters need help in such extremely desperate ways. Read this immediately."
GUS VAN SANT
"A Million Little Pieces is this generation's most comprehensive book about addiction: a heartbreaking memoir defined by its youthful tone and poetic honesty. Beneath the brutality of James Frey's painful process of growing up, there are simple gestures of kindness that will reduce even the most jaded to tears. Very few books earn those tears—this one does. It will have you sobbing, laughing, angry, frustrated, and most importantly, hopeful. A Million Little Pieces is inspirational and essential. A remarkable performance."
BRET EASTON ELLIS
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