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Stewart O'Nan's ninth novel,
The Good Wife, begins with that classic harbinger of bad news: A phone call in the middle of the night. Small-town housewife Patty Dickerson, pregnant with her first child, has been waiting in bed for her husband Tommy to get home. When the call comes, it's from jail. Tommy has been arrested for murder after a robbery gone awry. He doesn't make it home for 28 years.
With his usual practicality, O'Nan kills the hope off quickly in The Good Wife. This isn/t a novel of beating the odds but of enduring them. We follow Patty through her husband's long incarceration as she moves in with family, gets a series of low-paying jobs, remains faithful to Tommy, and raises their son Casey alone. These aren't unique circumstances--although they rarely form the stuff of fiction--and these aren't unique, unforgettable characters. Patty Dickerson could be anyone, and that's the point. This is a story of ordinary lives and small graces. O'Nan's refusal to dress things up (or down) is part of the charm of this clear-sighted, uncompromising novel. --Regina Marler
Book Description
On a clear winter night in upstate New York, two young men break into a house they believe is empty. It isn't, and within minutes an old woman is dead and the house is in flames. Soon after, the men are caught by the police. Across the county, a phone rings in a darkened bedroom, waking a pregnant woman. It's her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty Dickerson's old life ends and a strange new one begins.
At once a love story and a portrait of a woman discovering her own strength, The Good Wife follows Patty through the twenty-eight years of her husband's incarceration, as she raises her son, navigates a system that has no place for her, and braves the scorn of her community.
